LifeWalk

______________________ LIFE, FAITH, ETCETERA

Dear God (The Good Wife) October 8, 2014

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If you watch “The Good Wife” you already know why the show and cast have won so many awards. It’s just a very well written, very well acted show.
The most recent episode “Dear God” (air date 10/05/2014), is no exception. (If you’ve not seen it, you can watch it on CBS.com or stream it via Amazon.)

There were a number of great turns by lots of guest stars (Linda Lavin, Michael Cerveris, Richard Thomas, Robert Sean Leonard and Gloria Steinem), as well as the top notch performances by the regulars including the always interesting Alan Cumming.

In this episode, there was a lot about God, religion and Christianity.
Some scenes exposed a few of the fallacies of Christianity, and some showed the good.
Pretty balanced, all in all.
I quite enjoyed “secular” lawyers employing the bad, bad practice of proof-texting the Bible in exactly the same way many Christians do. You really can spend hours spouting opposing scripture quotes at each other trying to prove your point.
It’s odd how so many people use “Well, you can make the Bible say anything” when they disagree with you, never realizing they themselves are, in that moment, doing that very thing. It’s always “someone else” who’s using it wrongly.

One of the moments I enjoyed most this outing was between our Atheist lead, Alicia Florrick (Portrayed by the amazing Julianna Margulies), and her Christian daughter, Grace (Makenzie Vega).
When Alicia asks Grace if she really believes all the stuff in the Bible, Grace responds beautifully:

“I don’t know if it’s all historically accurate, but I think it can be true in another way.
You know, like poetry; it can still be true even if it’s not accurate.
Look, if I wanted you to remember that God created everything, I’d probably tell you a story about it happening in seven days.
But that doesn’t mean it actually happened in seven days.
It just means that I wanted you to remember that God created everything.”


An intelligent response by a person of faith.
You don’t frequently see that on prime-time television.

Knowing, of course, that the opening of Genesis is, in fact, a poem helps Grace’s point sink in.
I could be wrong, but I think there’s a pretty good chance that if you look in Grace Florrick’s library, you’ll find copies of “A New Kind of Christianity,” “The Orthodox Heretic,” and most likely, “Velvet Elvis.”

 

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